Japan on 35mm Film
I have an awesome wife! She took me to Japan for my 40th birthday and i shot most of it on my 35mm film camera.
So let’s get it out of the way, i turned 40. The only benefit of this is that i have an awesome wife.
Those who know me know that i don’t like parties let alone one that celebrates me, so when my wife asked me months and months ago what i wanted to do for my 40th all i said was “I don’t want a party” and thats where it begins.
On Friday the 7th of February i went to work like any other day, around 4pm that afternoon i come back to my desk and there is my wife with a box. She brought a cake to celebrate my birthday because i “wasn’t going to be around for it”. Hmmmm that got me thinking, so after the embarrassment of singing me happy birthday with my work colleagues and eating some epic South American cake my mum made, my wife then tells me that we need to get going because we are flying out somewhere that evening.
Let me make it very clear, i had no idea what so ever that this was happening, no clue, no inkling.
So we get home and she’s got a half packed bag for me and tells me to add anything else to it and get all my camera gear ready that i wanted to take.
On a side note, sadly i busted my digital camera (Fujifilm X-T2) which needs repairing so i packed my Contax S2b with my Carl Zeiss 35mm f2.8 and 50mm f1.7. I also threw in my Fuji GW690III and my Fujifilm X-T10 with 1 lens the 35mm f1.4 for those evening shots that i wouldn’t be able to get with my film cameras.
So the question had to be asked, what type of weather do i pack for? Do i pack my boardies to go for a swim? My response “its going to be cold”.
That got me thinking for destinations, ruled out the close obvious destinations that are always hot or currently in summer like Bali, Vietnam, Singapore, Malaysia, New Zealand. The first country that came to mind was Japan or if not Korea.
So we get to the airport and check in and at this point in time there was no hiding where we were going, and yes it was Japan.
This was the 4th time i had been to Japan and ever since getting back into film ive wanted to shoot film there, japan and film just go hand in hand and after getting my film back im even more convinced. One thing i didn’t have a lot of at the time was film, but i knew i was going to a place where id have plenty of different stocks to choose from.
This trip I decided to try some different film stocks, I already had some rolls of Kodak Colorplus 200 and Fujifilm Superia Xtra 400 that I bought and had in the fridge waiting for me to try but not enough to get me through this 8 day trip. Eventually when I got there I bought some Fujifilm Superia Venus 800, Fujifilm Superia Premium 400 and some more Fujifilm Superia Xtra 400. I’ve been shooting with Kodak Portra 400 & 800 for most the year and thought it was time try some other stocks.
While in Japan I also bought myself a Yashica ML 24mm f2.8, wanted something slightly wider than the 35mm. Sadly the Carl Zeiss was a little out of my price range, but the Yashica is in typical Japanese grade.
Japan trips i tend to over plan to make sure we can get the most out of the trip, as i didn’t know it was happening we stuck around the Tokyo area, exploring maybe 1 hour from Tokyo on different days and a day trip out to the Fuji 5 lakes region.
Here are the shots from the trip all shot on the Contax S2b with either the Carl Zeiss 35mm, 50mm or Yashica 24mm. Shots split via film stock.
Contax S2b - Kodak Colorplus 200
I had shot Kodak Colorplus 200 before but was an expired roll, but was keen to give it another try. To be honest another big factor was that they are cheap. Im super happy with how the shots came out with this stock, plenty of detail and colours are nice. Ill be keeping a spare roll of colorplus in fridge i think.
Contax S2b - Fujifilm Superia Xtra 400
First time shooting Superia Xtra 400, and i’m instantly a fan. Ive really been enjoying the greener rather than the warmer which lends itself to the Fujifilm stocks. Also reasonably priced, i think i’ll be switching my Kodak Portra 400 to the Fujifilm Superia Xtra 400 for a while to learn more about this stock. Also got my favourite image of this trip from this stock which is the clothes store with the 2 girls walking past it and the pink neo PIN NAP above them.
Contax S2b - Fujifilm Superia Venus 800
Much like the reasoning behind the Superia Xtra 400, i’m into the green colours at the moment so wanted to try a substitute to Kodak Portra 800. Im not as convinced with the Venus 800 as i was with the Xtra 400, but it’s my first roll. Brought a bunch of these back with me so will have to take it through its paces.
Tempe Photo Walk
While waiting on some repairs to be done to my car, i decided to wonder around Tempe with my 35mm film camera and a roll of Kodak Tri-X 400.
A couple of weeks ago i decided to get some of the gutter rash i did on 2 of my wheels fixed from a repair place in Tempe. I was told that the process can take up to 2 hours to complete.
I could have easily gone back home and come back or wondered through Ikea for 2 hours which is across the road, but instead i decided to take my Contax S2b with my Carl Zeiss Distagon 35mm f2.8 and the Planar 50mm f1.7 with a roll of Kodak Tri-X 400 and do a photo walk around the back streets of Tempe.
I honestly wasn’t expecting much and definitely didn’t think id be able to finish a roll within that 2 hour period (which i didn’t), but pleasantly surprised with the images i got back.
I shot the Kodak Tri-X 400 at ISO 200 instead, film developed and scanned (standard jpg) at Rewind Photo Lab (not sponsored :-P).
Here are all of the shots i took while on the photo walk good and bad, hope you like.
The Analog Journey Continues
The analog world can bite hard sometimes, it lures you in and then takes hold and doesnt let go. Tales of the journey.
So i’ve been on this analog journey for around 10-11 months now and i must say its had its ups and downs. Ups are definitely the moments when you get your scans back and you have some gems. Downs were when i came across those scans that i didn’t quite nail and didn’t understand why.
Before i get onto that lets talk about the new cameras i’ve added to the list. Let me start with “gear does not make you a better photographer”, but i love talking about it. Hey i’m in I.T. and love gadgets and photography gear is one of the things i love to have, know about and talk about (feel free to skip further down if gear isn’t your thing :-P). Like many others i cant afford to upgrade my camera body to every new body thats released, so i weigh up my needs and see whether i would actually benefit from the upgrade. Film SLR’s are no different (sometimes cheaper is the only diff).
So the first SLR i bought when getting back into this analog game 10 months ago was the Fujica AX-1, which is an entry level SLR in the AX range not sporting a full manual mode. I originally went for this camera as i honestly wasn’t 100% sure whether id get back into it or not, and didn’t want to spend too much money on an SLR. It didn’t take me long after buying the Fujica that i knew i wanted to continue on this analog journey, so i started looking into a 35mm SLR body that i could invest in that i knew would last me for a long time which also had a lens range i would be happy with.
I came across this video on youtube by Kyle McDougall, he opened my eyes to some brands i hadn’t really heard too much about like Yashica and Contax. He also had this great video about the amazing range of lenses that these cameras supported.
I knew i wanted my next SLR camera body to tick the following boxes:
To have full manual functionality (with no add ons parts)
Have a max shutter speed of at least 1/2000 of a second
An internal light meter
Fully mechanical
Have a great range of lenses
Reasonably priced
What SLR body and lens range did i settle on you ask? My next purchase was the Yashica FX-3 Super 2000 with a Carl Zeiss Planar T* 50mm f1.7, i found it for a super cheap price (pun not intended). The Yashica ticked all the boxes, except for one which is why there is a 3rd and final 35mm SLR purchase. Before we get onto that camera, the Yashica allowed me to use any lens in the Carl Zeiss C/Y mount range or Yashica C/Y mount range which you can find the list for here. Im sure you’ve heard of Carl Zeiss if you’ve been in the photography game for while, they make some amazing glass, this was a range of lenses that wouldn’t disappoint. As for the body it had everything you could want in an SLR body, it was also light and as mentioned by Kyle in the video above it sits very nicely in your hand due to the nice ergonomics.
Now why did i buy a 3rd 35mm SLR, as good as the Yashica FX-3 Super 2000 is you do notice the lack of precision with it. It has a metal frame but has a plastic body, so wouldn’t handle the rain or being knocked around very well. The film advance lever doesn’t feel sturdy along with the rest of the body. I wanted something that again ticketed all the boxes in my previous requirements but also adding one extra box. I wanted something that had a little more precision to it, that had better build quality and that would potentially last me forever. The type of SLR i was thinking about was to the calibre of the Canon F1 & Nikon F3 ranges, sturdy well built and renowned for their build quality and durability.
I chose the Contax S2b, this thing is a tank. It is fully mechanical and has a max shutter speed of 1/4000 of a second, only needs battery for the light meter, has centre weighed metering and of course supports the amazing C/Y mounted Carl Zeiss lenses. Oh and its very pretty.
The Contax S2b is definitely my go to 35mm SLR, i cant see me purchasing another 35mm SLR unless its purely to add to my collection but definitely not to replace it.
As for lenses, the Carl Zeiss list of C/Y mounted lenses is very large. At the moment i have invested in the Carl Zeiss Planar T* 50mm f1.7 as mentioned above as well as the Carl Zeiss Distagon T* 35mm f2.8. The other lens id like to eventually invest in is the Carl Zeiss Distagon T* 28mm f2.8, these 3 lenses are great to travel with as they aren’t big like the extremely desirable bigger brothers Carl Zeiss Planar T* 50mm f1.4, Carl Zeiss Distagon T* 35mm f1.4 and Carl Zeiss Distagon T* 28mm f2 (maybe one day).
Thats the gear out of the way, how about how I’ve been going with it all. Initially i was into the Fuji film stock, since then i have discovered Kodak and haven’t gone back since. I think i initially tried a roll of Kodak TMax 400 which i really liked, i was reluctant to do much of anything in colour based on some early result not turning out how id liked. But again ive started shooting alot more colour and been shooting a lot of Kodak Portra 400, 800 and recently 160. I love the colours from Portra and think i’ll stick to that range. I have since shifted to Kodak Trix for black and white, I’m liking the slightly more contrasty look the TriX gives over the TMax.
As some more experienced film photographers would understand, film tends to handle highlights much better than shadows. When starting off its something you don’t really understand or know about, i understand now why a lot of photographers choose to rate film that is 800 speed at 400 or 400 speed at 200 so they can stay within the threshold the film best performs in. Knowing this from the beginning or at least knowing to overexpose shots, i think I could have saved a lot of images.
I feel i still have plenty to learn when it comes to film stock which is why I’m trying to stick to Kodak Portra and TriX to try and get consistent results across different lighting situations (i fear this will take sometime). With time I hope to become more familia with these film stocks and know what kind of results I’ll get for each shot.
Hear are some of my favourites over the past 6-7 months from both the Yashica FX-3 Super 2000 and the Contax S2b. Film stock varies with Kodak & Fujifilm.
Thanks for visiting.
Film, Lets Give it Another Go.
Lost love, picking up a film camera for the first time in a long time.
So for a while now i’ve wanted to invest in a nice film camera and get back into what brought me into this hobby to start with years ago.
What made me finally take that step was when i saw my niece Monique, she had a film SLR around her neck. I was a little surprised when i first noticed it, but thinking about it the idea of film would be new and exciting to someone young who never grew up shooting on it.
So she had the Olympus OM-10 that she found at her great grand mothers house in a box with a bunch of other old film cameras that her great grand father used to own. That was it the spark was lit, being a Fuji guy now i thought id look at what options Fuji had in the form of 35mm SLR’s. So began my eBay search, what i thought would be a good first step is the Fujica AX-1 which is the entry level of the series with the AX-5 being the big brother of the lot. What made me buy the Fujica AX-1 in the end was the fact i came across a mint example with a 50mm f1.6.
2 weeks later and i had this awesome little AX-1 in my hands.
I bought a bunch of Fujifilm film from Walkens. Some Fujifilm Acros, Provia, Fujicolor Industrial to test it with. The first roll was a bit rough as i got used to the camera and understanding how the focus prism worked, so yes a number of shots were out of focus. This camera doesn’t have a full manual mode but to be honest i don’t think i would use it in full manual just yet, there would have been many more unusable images if i had. So i just used it in aperture priority and let the camera handle the shutter speed, good thing is that it has a light meter so you can get a good idea of exposure and whether your going to get blurry shot from slow shutter.
After my 3rd roll through the camera I’m now feeling more comfortable with it, and understanding it much better.
Its extremely refreshing going from digital where you can spray and pray that you’ve got a shot, to really slowing it down and thinking whether the shot is worth taking or not because you only have 24-36 shots in your roll. If it is then thinking about your aperture and what/how much you want in focus to confirming whether your shutter speed is high enough to get a sharp image. By then you’ve thought about your composition and maybe adjusted already. Mirrorless cameras with the EVF systems they have make photographers even lazier (but hard to go back when you have used one with EVF :-P).
Film can really be a format that can bring you out of a time when your really struggling to want to pick up your camera, more so after you’ve picked up the prints. Definitely need to have prints done, it wouldn’t complete the process otherwise. I used Digital Camera Warehouse in the Sydney CDB for all of my film development, scans and prints and really happy with the results.
So if your struggling for inspiration, checkout eBay, your local 2nd hand store or your grand parents house for a film camera that might bring that mojo back.
Check out the rest of the images in my Film Collection.
Note: Im not affiliated with any of the companies or brands mentioned, just like using them and pay for their products and services out of my own money.
Thanks for visiting.